Exploring Identity in Literature and Life

Facing History learning experiences are classroom-ready activities that you can incorporate into your lesson plans. They are designed to be modular and adaptable, so you can use them over and over again with a wide range of texts to help students explore characterization, point of view, perspective taking, setting, and thematic development through a Facing History lens.

1. Explain to students that they will be thinking about identity and what makes them the unique individuals that they are. Follow the steps on the Identity Chart teaching strategy, starting by listing the many factors that make up our identities. Have students work in small groups to create an identity chart for a character in the text and discuss the following questions, citing evidence from the text to support their thinking:
   • What parts of their identity does your character choose for themself?
   • What parts of their identity are determined for them by other people or by society?
   • What aspects of your character’s identity can they control, and which aspects are controlled by other people or circumstances?
2. Model the process of creating an identity chart by starting your own on the board. Use the Think Aloud strategy to help make visible your reflection process. Then have students create individual identity charts in their journals and respond to the three questions above. Consider adding the following question to their reflections: What aspects of your identity have stayed the same and which ones have changed as you are growing up?

1. Explain to students that in literature and in life, our sense of who we are and where we belong is impacted by our setting, whether it be our home, community, school, or workplace, to name just a few, as well as the norms, values, and people who inhabit those spaces. These factors contribute to whether we feel like an insider or outsider—a heightened concern for the adolescents in your classroom. The Influences on Identity handout’s framework helps students examine the cultural backdrop, beliefs, values, and sense of belonging for a character in your work of literature. 
2. Follow the procedure outlined in the Notes to Teacher section (see note 4). Divide students into pairs or small groups and pass out the Influences on Identity handout. Use the following questions to help students explore how customs, culture, and place influence their character’s sense of who they are, citing evidence from the text to support their thinking. 
   • What traditions or cultural practices are most important for your character? How do these influence the character’s sense of who they are? 
   • Where does the character get their ideas from? Where do they get their values? How do their ideas and values shape who they are and the decisions you see them making in the text?
   • What does it mean to belong to a place? What is the relationship between how the character identifies themself and where they live?
3. Then have students repeat the process, creating their own social identity maps and reflecting on the questions for themselves in their journals.

1. Explain to students that even as we struggle to define our unique identity, we are also being defined by others. Sometimes groups attach labels to us that differ from those we choose for ourselves. At no time in our life does this feel as important as when we are going through adolescence. This identity framework helps students explore the relationship between the individual (who they say they are) and society (how others perceive them) by looking at how their own identities are influenced by others. 
2. Follow the procedure outlined in the Notes to Teacher section (see note 4), using the Starburst Identity Chart handout. Note that the arrows pointing out from the center are for factors that the character feels makes up their identity and the arrows pointing into the center are for labels that others place on them. You can also add arrows pointing in both directions for labels that the character uses to identify themself that align with the labels society places on them. Have students work in pairs to create a starburst identity chart for their character and discuss the following questions, citing evidence from the text to support their thinking:
   • Whose opinions and beliefs have the greatest effect on how the character thinks about their own identity?
   • What dilemmas arise when others view the character differently than they view themself?
   • What aspects of their identity does the character keep private in order to be accepted? 
   • What aspects of their identity are they willing to change to fit in?
3. Then have students repeat the process, filling out their own Starburst Identity Chart handouts and reflecting on the activity in their journals.

(Note to Teacher: “Identity” refers to our sense of who we are as individuals and as members of social groups. It also refers to our sense of how others may perceive and label us. A “social identity wheel” ¹ helps students consider the multiple dimensions of their identities and how their sense of who they are may or may not align with how others perceive and label them. It also helps students consider how certain aspects of their identities can become more felt or visible in certain contexts. Because the relationship between personal identity and social identity is complex, we recommend taking the time to read Exploring the Concept of Identity with your students before analyzing the intersection of individual and social identity in the text. For a deeper exploration of identity, consider teaching our Identity and Storytelling text set.) 

1. Explain to students that the purpose of the activity is to help them think about the ways we identify socially and reflect on the extent to which our social identities impact our sense of who we are and how we experience the world. 
2. Divide students into groups of three and assign them a character. Use the Social Identity Wheel handout and clarify terms as needed (see the Notes to Teacher section). Have them discuss the reflection questions on the handout for their character, supporting their ideas with evidence from the text.
3. Then pass out copies of the Social Identity Wheel handout so students can create and reflect on their own social identities after you model the process for them. 

• 1Activity adapted from “Social Identity Wheel,” LSA Inclusive Teaching Initiative, University of Michigan.

1. After creating one or more personal identity charts, provide time and space for students to reflect on the experience in their journals. The following questions can help get them started: 
   • How did it feel to make an identity chart for yourself? 
   • In what ways do you think the graphic organizer does a good job of representing your identity? 
   • How do you think it falls short or fails to represent your identity? 
2. Have students debrief in pairs or small groups, perhaps coming up with their own identity chart template if they feel like the ones provided were not able to capture the complexity of their identity.

This learning experience uses the format of journalist Dan Reilly’s “6 Things You Should Know About . . .” ESPN column ¹ as a starting place for students to write about a character or themselves. For this column, Reilly interviews someone and then chooses short quotations about six to eight important things that the interviewee wants readers to know about them. The information is presented on one page in a visually interesting way. 

1. Share one or more examples of Dan Reilly’s interview column with the class and discuss the format and editorial choices. Examples of column topics include the Westminster Dog Show and being a baseball groundskeeper. Explain to students that they will be creating a “6 Things You Should Know About . . .” page for a character in the text, using one or more of their identity charts as a starting place. 
2. Start by having students brainstorm a list of six to eight ideas for their page. They should include evidence from the text to support their ideas. Students can write in the voice of the character being interviewed or imagine that they have interviewed the character and are summarizing key ideas. 
3. Lay out the page using a Google template or a graphic design program. For an image, students might use an actor who they could see playing their character or an object that is meaningful to the character. Share finished pages in a gallery walk.

• 1Adapted from description in Tricia Ebarvia, “From the Classroom: What Does Real-World Writing Look Like?” (blog post), write.share.connect: Pennsylvania Writing & Literature Project Blog, July 22, 2015.