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"Colored Rule in a Reconstructed (?) State" (1874)
How do racial stereotypes in the media create and reinforce “in” groups and “out” groups in a society?
"He Wants a Change Too" (1876)
Propaganda about racial stereotypes used in the Reconstruction Era
How do racial stereotypes in the media create and reinforce “in” groups and “out” groups in a society?
Pardon/Franchise Engravings by Thomas Nast
Wood engravings by Thomas Nast depict the tension between the demands of healing and justice during the Reconstruction era.
"Of Course He Votes the Democratic Ticket" (1876)
A political cartoon by Thomas Nast from Harper’s Weekly depicts the intimidation techniques that the Democratic Party used to suppress the votes of Black Southerners in the election of 1876.
"Of Course He Votes the Democratic Ticket” (en español)
Wood engraving by Thomas Nast from Harper’s Weekly (1876)
"Shall We Call Home Our Troops?" (1875)
Wood engraving by Thomas Nast from Harper's Weekly depicting the reaction of the radical South toward African Americans after the North does not follow up their promises.
"The Birth of a Nation" Summarizes Reconstruction
Title cards, or intertitles, from The Birth of a Nation, a 1915 film portraying D.W. Griffith's racist vision of life in the South during the Civil war era.
The Lone Ranger
This image portrays the fictional Native American character, Tonto, in the 1930s radio show and 1970s television adaption, "The Lone Ranger."
Le Lone Ranger
Tonto, personnage fictif autochtone de l’émission The Lone Ranger, émission radio des années 1930 devenue émission télévisée dans les années 1950, représente bien les stéréotypes négatifs dans la culture populaire nord-américaine à l’égard des Peuples Autochtones.
Truth and Reconciliation Commission of Canada
Residential school survivor Joe George of the Tselei-Waututh First Nation (right) and elder Marie George embrace at a proceeding of the Truth and Reconciliation Commission of Canada in 2013.