Weimar Germany was a center of artistic innovation, great creativity, and considerable experimentation. In film, the visual arts, architecture, craft, theater, and music, Germans were in the forefront of the most exciting developments. The unprecedented freedom and widespread latitude for varieties of cultural expression led to an explosion of artistic production. In the Bauhaus arts and crafts school, in the studios of the film company UFA, in the theater of Max Rinehardt and the studios of the New Objectivity (Neue Sachlickeit) artists, cutting edge work was being produced. While many applauded these efforts, conservative and radical right-wing critics decried the new cultural products as decadent and immoral. They condemned Weimar Germany as a new Sodom and Gomorrah and attacked American influences, such as jazz music, as contributors to the decay.
Primary Sources: Culture
| Bauhaus |
- Bauhaus Building, Dessau, designed by Walter Gropius (1924)
- Glass Tea Service, designed by Wilhelm Wagenfeld (1930-1934)
- Nest of Tables, designed by Marcel Breuer (1926-1930)
- Side Chair, designed by Mies Van Der Rohe (c. 1932)
- Table Lamp, designed by Christian Dell (1928)
| Cabaret Song |
- "It's All a Swindle" (Alles Schwindel), by Mischa Spoliansky and Marcellus Schiffer (1931)
- "Mir ist heut so nach Tamerlan!", music by Rudolf Nelson, lyrics by Kurt Tucholsky (1922)
- "Night Ghost" (Nachtgespenst), music by Rudolf Nelson, lyrics by Friedrich Hollaender (1930)
- "No Time" (Keine Zeit), music by Rudolf Nelson, lyrics by Herbert Nelson
- "The Lavender Song" (Das Lila Lied), music by Mischa Spoliansky, lyrics by Kurt Schwabach (1920)
- "Throw Out the Men" (Raus mit den Männern), by Friedrich Hollaender (1926)
| Film |
- "Blue Angel," starring Marlene Dietrich (1930)
- "Metropolis," directed by Fritz Lang (1926)
- "The Cabinet of Dr. Caligari," directed by Robert Wiene (1919)
- "The Sacred Mountain" (Der heilige Berg), directed by Leni Riefenstahl (1924)
| Painting/Drawing/Etching |
- "Eldorado," Otto Dix
- "Kitchen Knife," Hannah Hoch (1919)
- "Memorial for Karl Liebknecht," Käthe Kollwitz (1921)
- "Metamorphose." by John Heartfield
- "Metropolis" (Gross Stadt), Otto Dix (1928)
- "Never Again War," Käthe Kollwitz (1924)
- "Pillars of Society," George Grosz (1926)
- "Self-Portrait in Tuxedo," Max Beckman (1927)
- "Synagogue," Max Beckman (1919)
- "The Agitator," George Grosz (1928)
- "The White General," George Grosz (1919)
- "Wounded," Otto Dix (1916)
| Sculpture |